Emily Swallow
Swallow's Broadway debut was in High Fidelity. There, she was in a diverse selection of plays, such as King Lear, The Taming of the Shrew at the Guthrie Theater; Much Ado About Nothing for Shakespeare in the Park. In addition was the off Broadway shows Romantic Poetry & Measure for Pleasure received world premieres. Swallow made her debut in film with 2008's military drama The Lucky Ones. She starred alongside Mark Rylance at the Guthrie Theatre in Louis Jenkins' play Nice Fish,[citation required] as well as in Donald Margulies' play The Country House in Los Angeles' Geffen Playhouse. She also starred at Manhattan Theater Club in John Patrick Shanley's production of the musical Romantic Poetry, which was an international premiere. The year was 2010 in recognition of her performance as Kate the Taming of the Shrew The Taming of the Shrew She was awarded The Falstaff Award. 4 In 2012, Swallow along with fellow comedian Jac Huberman conceived an stage production titled Jac N Swallow, which was performed in New York at the Laurie Beeckman Theater and Joe's Pub. [5] The show centers on the comic misadventures of the two when they face very diverse issues in their lives with various degree of decency and mental sanity. The characters are being developed into a television series. It's worth noting that she worked with Mark Rylance on a world premiere production of Nice Fish, at the Guthrie Theater. [1][2] In 2016 she was cast in the production of Center Theatre Group of Ayad Akhtar's Disgraced. [6] Swallow's first television part was on Guiding Light, and she later played parts in Southland, Ringer, The Good Wife, NCIS, Flight of the Conchords, Medium and as the series' regular The Good Wife, Dr. Michelle Robidaux on TNT's medical drama Monday Mornings[2] and Rizzoli and Isles. One of her most memorable roles was that of FBI agent Kim Fischer, in The Mentalist. [1][7] In 2015 she was cast in the eleventh season Supernatural as the brand new protagonist Amara, "the Darkness". In 2019, she will play the role of Armorer as the leader of traditionalist Mandalorians in Star Wars' The Mandalorian. Because the traditionalists never take off their helmets and her face is not recognized. This character was more visible during Season 3 since the main focus of the narrative was Mandalorian culture and people, not just Mandalorian.



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